Released in 2016 (a full twelve years after Godzilla: Final Wars), Shin Godzilla marks the third reboot of the franchise as the eponymous lizard stomps his way across modern Japan with the Japanese government racing to stop him. It’s a well worn plot by this point, yet the film’s almost singular focus on the tumultuous bureaucratic response to the crisis — rather than, say, around a few core characters — makes for something that feels fresh and new, while also giving writer and director Hideaki Anno ample time to take aim at the bureaucratic morass that is Japanese government. As for Godzilla himself — courtesy of veteran VFX director Shinji Higuchi and a new design by Mahiro Maeda — probably not since his original outing in Gojira (1954)has the creature looked so terrifyingly monstrous.
Two monsters, created by science gone awry, go head to head in the second Godzilla film of the Heisei era: Godzilla vs Biolante.This follow up to Return of Godzilla or Godzilla 1984, which we reviewed in episode 7, arrived five years after the release of the previous film had under-performed at the box office. Looking for fresh ideas to revitalize the somewhat moribund franchise, producers at Toho held a public contest in search of a script. The winning entry, written by a dentist named Shinichiro Kobayashi with a script that largely sidelined the franchise’s typical anti-nuclear bent in favor of a new focus on the emerging threat posed from bio-technology, was heavily rewritten by Director Kazuki Omori to include spies, assassins, and corporate espionage. The resulting film is a truly a bizarre mishmash of ideas: espionage, deadly assassins, fictional middle eastern countries, mad science, ESPers, military super weapons, and, of course, awesome Kaiju action — it’s a hell of a ride!